hip hop classics from ll cool j 1985

!! live au festival rock en seine !!

deluxe vinyl edition!!!!

“the marshall suite” is a 1999 album by the fall (their 20th). the album builds on the techno-influenced beats of its predecessor levitate (1997), while also returning to a more rockabilly-influenced sound reminiscent of earlier fall line-ups.
the end result has songs like the catchy “touch sensitive”, and the strange, complex, thumping jungle beats of “crying marshall”.
the album was long out of print on vinyl, until now.

limited edition white double vinyl in gatefold sleeve.

limited edition red double vinyl in gatefold sleeve.

limited edition double vinyl (1 black, 1 white) in gatefold sleeve.

limited edition double vinyl (1 black, 1 white) in gatefold sleeve.

the unstoppable force that is raumakustik are back on the label with yet more top drawer tech flavoured beats. the german tech wizards draft in the incredible terry lynn on vocals for lead track dog eat cat eat mouse and the result is pure fire. her unmistakable tones laid over that raucous and underground tech house groove make for a sure-fire hit for the impending summer months. this will set alight the sun-drenched terraces as much as those darker, more underground floors therefore making it a perfect toolroom release

limited pressing of 500 copies on pink coloured vinyl.

limited edition of 200 numbered copies, label sticker included.

elleorde was born 3 years ago at camp cosmic, an anything-goes music festival in the swedish forest that s recently been relocated to the german countryside. elleorde s debut record shares the same themes as the fest with a combination of time travel, cosmos, space exploration, sunsets on exotic planets, and universal love. not to mention, these are forest jams, mind you. the uk one-man project draws influences from war, dexter wansel, tantra, cerrone, ennio morricone, supermax, you get the idea. step in to the battlestar gallactica, open wide and eat the future.

limitierte 7” in weiß! mit ihrer debüt-single “alles läuft” bahnt sich lucie licht ihren weg ins rampenlicht. sobald der sympathische lockenkopf die bühne betritt, wird es wild, laut und frech - ganz so wie ihre songs. guter laune pop-rock, inspiriert von der sonne kaliforniens, dem wahren leben und papas schrottplatz. erfrischend unbeschwert und enorm talentiert, präsentiert die junge wahlkölnerin ihre eigenen songs. laut, lockig, wild. das ist lucie licht!

they say you have your whole life to make your first album, years upon years of growth, learning and experience filtered into one perfect record. your debut is supposed to be the one you labour over, while the follow-up is meant to be served up within spitting distance of the last. well, not if you’re london based wild palms. “we did that in reverse,” explains the band’s sardonic, quick-witted frontman lou hill. “the first album was just the songs that we would play live, we wrote it really quickly. but this one took ages...” five years in fact.
recorded by the band in the same self-built manor house studio where they made their 2011 de-but ‘until spring’, the new album ‘live together, eat each other’ is a lusciously layered offering of hazy experimentalism and off-kilter alt-pop, that follows in the auspicious lineage of beach house, cocteau twins and tv on the radio.
the vinyl lp is housed in a gatefold sleeve with download code included.

live at royal albert hall is the complete set of one of massive attack’s most popular and sought after performances. on one summer night in 1998, massive attack set the standard that all future performers would try to live up to for years to come. massive attack was, is and forever will be the forefathers of the trip-hop movement that came about in the early 1990’s in the uk.

eat more house with jordan fields! the chicago master delivers a tasty release for us - we re very happy and hungry for more!!!

limited pressing on white double vinyl, housed in gatefold sleeve.

the best of the early singles by bob marley and the wailers vol. 2 on translucent green and yellow coloured double vinyl. the partnership of bob marley and the wailers in its short life would create what many consider to be some of the greatest reggae ever recorded.

detroits veteran gari romalis will release the 3rd eat more house record. we are happy to have him on board. a great mixture between disco & house on 4 fantasic tunes. vinyl only - be fast and grab your copy!

another west-end sure-shot! this sublime piece of early electronic boogie has always worn its classic badge with a relaxed sense of pride since its release in 1982, perhaps its the languid synthed out groove supplied by studio maestros nick martinelli & david todd or brenda taylors sublime vocals reminding us all that the game of love is always a 2 way street that are to blame?

vinyl only release
sexy, delicious house music

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

vinyl only, 300 copies - thats it .
strong analog house at it best. eat more house

the first full length original project from the insane black man since his 2005 massive hits. the sounds on this project are not for the weak or the normal minds just the sick & sonically perverted. a demented sonic painting of rhythmic cubism & synth impressionism. performed live in chicago.

das album der belgischen industrial-legende the klinik nun als schwarzes vinyl. the klinik kehren nach 22 jahren mit einem neuen album in originalbesetzung zurück. eat your heart out ist die perfekte fortsetzung des klassischen, minimalistisch-kalten sounds der band, der auch heute noch so innovativ klingt, wie bei wenigen anderen protagonisten der szene.

herrmutt lobby is back for more. their third release on eat concrete (one as bretzel zoo) reveals a more soulful and laidback sound then ever before. the new haters gonna hate ep reaches beyond their previous material but still comes with their own style of improvised beats, lowend bumpers and weird time signatures.

amazing record! timeless grooves and super tight programming sums up med 03. simon haydo follows up the success of his previous two releases with yet another quality ep. it shall never be in a different way.

a luxury release on heavyweight double 12 inch vinyl in gatefold sleeve. all tracks recorde in 1961 at gaslight cafe, nyc (1-6) and bonnie beechers apartment, minnesota (7-24).

limited edition of 500 copies on white vinyl.
belgian industrial legend the klinik returns after 22 years with a new album in the original line up. *eat your heart out* is the perfect continuation of the classic minimalist-cold sound of the band that still stands as one of the most innovative in the scene.

electrosoulsystem is andrey burtaev a russian intelligent drum n bass collective from moscow.

after a short hiatus diamonds and pearls is back with another stunning release by the mysterious eat. >rapture< takes you on a twisted disco journey which slowly but surely turns into a grinding acidic trip. on the b-side he heads for headier tropes, dismissing the 4×4 template for a mesmerizing and moody percussive workout somewhere between monolake and shackleton & pinchs collaboration with the first cut >sand<, before he unleashes the brooding >flux< which sports a nasty modulated squelching bassline and the same off-kilter dubstep-feel. dnp and eat are definitely back – with a bang!

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

after the successful start of the label with taron-trekka maria colors returns with a wonderful new offering from cellule eat. the three guys from paris and mainz have already shown their talent on french label minibar, and for their release on maria colors they are moving into even deeper territories with an exciting, jazzy house track. taron- trekka are on remix duties and have created a 9 minutes long journey into hypnotic and fascinating deep house – a true masterpiece with a very unique sound. the second remix comes from drei farben house who turns the original into a fuffy and highly elegant house track full of funky drums and soulful vocals – a warm and deep black piece of music.

this ep features five tracks by baconhead who make sci-fi beats to confuse your brain and their newly released >astro sludge ep< perfectly describes this 12inch debut by the uk based duo. after their very well received >soap ep< (getting support from slugabed, si begg and kid 606) theyve teamed up with eclectic dutch label eat concrete for a series of releases showcasing their sonic agenda.

lumisokea join eat concrete to release their debut album >automatons<. the belgian / italian duo formed by multi-instrumentalists and composers koenraad ecker and andrea taeggi bring forward an eight track album filled with refined microworlds of exciting electronica and acoustics. although the limited vinyl ep uses only four out of eight tracks it comes with a free download code to the full album.

killekills next release comes from snuff crew, a crew you might and should have heard about. snuff crews mission is to bring back the fun on the dancefloors worldwide. the masked duo is known for their jacking live shows that combine the raw energy of early chicago and acid house with a fresh and modern sound. rumour has it that they come from >somewhere in germany<, but their sounds draw a very heavy influence from the original acid house city of chicago alongside italo-disco and old school techno flavours. the use of old school roland boxes as sound sources and almost non existent use of even basic effects means their sound is rough, raw and aimed squarely at the dancefloor. their records have been released on labels like skylax, gigolo records, rush hour, playhouse and many more, but the two guys also run their own imprint called snuff trax where they release music of jackmates like kink and neville watson as well as their own tracks and collaborations with artists such as legendary robert owens. thats enough for now with the name dropping. killekill has got a lot of great exclusive material from the guys but decided to release only two very strong and distinctive tracks for now: domo on the one side is a proper acid monster that will go down on dancefloors worldwide like a hurricane and leave the dancers breathless. eat this on the other side is a rudimentary chicago jack track that might well have been taken off a dance mania record from 1992. this track is working its way with nothing but a few drum tracks and a vocal sample and is pure raw sexual energy.

aardvarck returns with his third full length album for eat concrete records. >anti concept< showcases a taste for deep ambient and minimalstic soundscapes, dub, detroit techno and bass heavy beats, mixed into a perfect flow. as the title suggests >anti concept< leaves aside musical genres and focuses on atmosphere rather than style. aardvarck carefully and patiently builds his own world of sound, adding layers and complexity with each track. these tracks bring mostly new material but also contain some of his earlier works on previous eat concrete and bloom releases, highlighting some personal favourites of his impressive output. enjoy!

etherical indie album with acoustic rock as wel as fat electronics on this coloured vinyl lp from eat concrete.

aardvarck comes with >gloom<, an offshoot of his highly successful >bloom< imprint. >gloom< is the second split effort between aardvarck and dutch beatmaster kubus (opgezwolle, top notch). it features aardvarck on an oldschool techno vibe with deep and greasy beats plus his signature style breaks. on the flipside kubus delivers three insanely loud and bass heavy bangers. limited white label!

the dnp14 is the 4th vinyl of the phantasma compilation series on diamonds and pearls music from berlin. it is the final of 4 split eps sharing one idea and one artwork.
the a side featuring half hawaii with a really sexy, smooth flowing and trippy track called >emperors of venus<. sammy dee and bruno pronsato show us again that their joined forces are top-notch and that their work together originates one of the most energetic minimal styled music projects available today.
on the b side you will have the pleasure to listen to a excellent new eat masterpiece. the unique fat analog sound and the continuous rising movement of eats >crown of light< reveal that there are no borders in hyper modern electronic music.the dnp 14 is the wonderful completion of the phantasma series.

roel funcken, one half of dutch electronica duo funckarma, delivers the >daze flextone ep<, his solo debut for eat concrete records. these four tracks highlight the latest take on his dubstep-fused electronica experiments. the result is energetic, original and extremely heavy. three of these tracks were previously released on cd only thru berlins ad noiseam but we couldnt resist putting it on vinyl for obvious reasons. extra track is a funcken remix of a track by dutchman krampfhaft, watch out for more!

cellule eat is a 3 particules system, formed by: grifin.. two parisian electronic music activists and a german house meister meet to get cellule eat on its feet and offer a micro-house composition: efficient beats, melodic and bruitistes sampling. after a year of hard work in mainz and paris, keen in avoiding the minimal boulevard, the three guys invite us in a dancing journey. the warm and funky minibar-style house ep froggies wurste kicks off in a brilliant way a new series of great releases!

white coloured 7 inch, limited to 666 copies.
und der kampfhund, der hat zähne … und mit denen schnappt er zu! auf >dog eat dog<, der brandneuen single der mexikanischen hard-electro-legende hocico zeigen sich shouter erk aicrag und sound-wizard racso agroyam so bissig wie nie zuvor. eine unerhört eingängige hookline trifft auf die wohl aggressivsten vokal-eskapaden und die härtesten beats, die man je von dem duo gehört hat: ein brutales aggro-fest mit hit-appeal. ein brachialer vorbote auf das neue album >tiempos de furia<! tour im herbst.

blipvert releases his highly anticipated ep for eat concrete records. >quantumbuster now< offers four compositions that are rich in texture, extremely dense and highly original. californian based blipvert manages to create a world of his own, a place where literally each second displays a multitude of ideas, a place also where no idea ever repeats itself. >quantumbuster now< features blipvert on electronics, guitar, vocals and drums.

limited vinyl sampler, all tracks taken from the forthcoming full length album >choice<, out on eat concrete records summer 2010.
aardvarck returns with this excellent selection of raw, deep and ultra heavy dub. minimal yet very effective plus massive bass on all cuts. featuring words by gaslamp killer, mastering by sandor caron.

its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.